Gender Roles And Power Dynamics - 1640 Words

Gender roles and power dynamics have been a topic of great debate in regards to their portrayal in horror films. Over time, the horror genre’s boundaries, as well as ideas of gender roles, have become less strictly defined and many see this as being observable by looking at films from different points in time. Alfred Hitchcock’s Psycho (1960) and John Carpenter’s Halloween (1978) are both horror films which feature gender roles in different ways, although there are also similarities. The use of gender roles and their representation can be said to evolve over time as society’s views of gender roles also changed. There is a noticeable focus on sexual desires in both films, which relates to the role of sexuality in people’s views of†¦show more content†¦She uses this newfound confidence and invites Norman to her room, yet Norman declines and wants to assume the masculinity he never experienced due to being separated from society and its ge nder norms. This demonstrates the beginning of a suggested conflict for dominance as they enter the parlour. The parlour is filled with stuffed birds and Norman explains his love for the passive nature of still birds and a distaste for taxidermy of wild beasts. This can suggest that he wants to place Miss Crane in a submissive role and he sees himself as a wild beast which should be active. Marion attempts to re-establish dominance by implying she would have been more reactionary to being put down if Norman’s mother was berating her; â€Å"You know, if anyone ever talked to me the way I heard -- the way she spoke to you...†. This is seen as a challenge to Norman’s masculinity; he drops his smile and talks about how he wishes to curse, defy and abandon his mother. However, he says he does not focus on this masculine wrath and instead cares and shows compassion to his mother. This aggressive nature shown by Norman is accompanied by switches in camera angles to include an owl in the background as he speaks, with wings spread suggesting a predatory nature. This is furthered by his rage when Marion suggests institutionalisation for his mother, conveying a sense of fear towards Norman.Show MoreRelatedWe Didn t Start The Fire, By Billy Joel888 Words   |  4 PagesThere is no denying that over a multitude of years, music has inevitably found ways to challenge power and power structures around the world. Music has found a way to use not only lyrics, but also the gender of musicians and genres of music to oppose powerful entities. Throughout music s long lived history, lyrics have been the most obvious example of musical oppositions to power. 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